Projects
Moon Pix
2021
Xerox collage, postage on paper
50"x98"
2021
Xerox collage, postage on paper
50"x98"
A piece describing communication across great distances.
Each of the 20 collages in this series was created during the pandemic in my Indiana studio, folded, taped and mailed directly to the Lyndon House Arts Center in Athens, Georgia for exhibition. The finished grid displays all markings of having traveled through the postal system.
Each of the 20 collages in this series was created during the pandemic in my Indiana studio, folded, taped and mailed directly to the Lyndon House Arts Center in Athens, Georgia for exhibition. The finished grid displays all markings of having traveled through the postal system.
Moon Pix (detail)
2021
Xerox collage, postage on paper
12" x 19"
2021
Xerox collage, postage on paper
12" x 19"
Moon Pix (detail)
2021
Xerox collage, postage on paper
12" x 19"
2021
Xerox collage, postage on paper
12" x 19"
Moon Pix (detail)
2021
Xerox collage, postage on paper
12" x 19"
2021
Xerox collage, postage on paper
12" x 19"
Moon Pix (detail)
2021
Xerox collage, postage on paper
12" x 19"
2021
Xerox collage, postage on paper
12" x 19"
Witness
2021
Acrylic on masonite, emergency blankets, latex on cut canvas
96" x 96"
2021
Acrylic on masonite, emergency blankets, latex on cut canvas
96" x 96"
Witness (detail)
2021
Acrylic on masonite, emergency blankets, latex on cut canvas
96" x 96"
2021
Acrylic on masonite, emergency blankets, latex on cut canvas
96" x 96"
Witness (detail)
2021
Acrylic on masonite, emergency blankets, latex on cut canvas
96" x 96"
2021
Acrylic on masonite, emergency blankets, latex on cut canvas
96" x 96"
Segue
2020-21
Seven acrylic on canvas, panel painting, pine shelf.
16" x 76"
2020-21
Seven acrylic on canvas, panel painting, pine shelf.
16" x 76"
Conceived and created during the 2020-21 period of lockdown, this piece is a meditation on the lived experience of quarantine, as well as a marker of the passing of time.
Each painting corresponds with a day of the week (Sunday at the left, Saturday at the right), and on that day, faces outward to meet a viewer's gaze. All other paintings remain faced to the wall. As the week progresses, each corresponding painting is turned outward, and all others face the wall. Only one painting is visible at a time.
Each painting corresponds with a day of the week (Sunday at the left, Saturday at the right), and on that day, faces outward to meet a viewer's gaze. All other paintings remain faced to the wall. As the week progresses, each corresponding painting is turned outward, and all others face the wall. Only one painting is visible at a time.
Monologue (Installation shot)
2019
2019
Rebecca Brantley and I co-curated an exhibition of print at the Mason-Scharfenstein Museum of Art at Piedmont College. The show, titled Monologue, brought together 5 artists who use print techniques to make singular works.
Pictured: Works by Ann Stewart in the foreground, and Mary Gordon in the background.
Pictured: Works by Ann Stewart in the foreground, and Mary Gordon in the background.
Monologue (Installation shot)
2019
2019
Rebecca Brantley and I co-curated an exhibition of print at the Mason-Scharfenstein Museum of Art at Piedmont College. The show, titled Monologue, brought together 5 artists who use print techniques to make singular works.
Pictured: Various works by Jess Machacek.
Pictured: Various works by Jess Machacek.
Monologue (Installation shot)
2019
2019
Rebecca Brantley and I co-curated an exhibition of print at the Mason-Scharfenstein Museum of Art at Piedmont College. The show, titled Monologue, brought together 5 artists who use print techniques to make singular works.
Pictured, left to right: Mary Gordon, Ann Stewart, Jess Machacek, Jon Swindler.
Pictured, left to right: Mary Gordon, Ann Stewart, Jess Machacek, Jon Swindler.
Monologue (Installation shot)
2019
2019
Rebecca Brantley and I co-curated an exhibition of print at the Mason-Scharfenstein Museum of Art at Piedmont College. The show, titled Monologue, brought together 5 artists who use print techniques to make singular works.
Pictured: Work byJess Machacek in the foreground, and Jon Swindler in the background.
Pictured: Work byJess Machacek in the foreground, and Jon Swindler in the background.
Monologue (Installation shot)
2019
2019
Rebecca Brantley and I co-curated an exhibition of print at the Mason-Scharfenstein Museum of Art at Piedmont College. The show, titled Monologue, brought together 5 artists who use print techniques to make singular works.
Pictured: Work byJess Machacek in the foreground, and Stacie Rose in the background.
Pictured: Work byJess Machacek in the foreground, and Stacie Rose in the background.
Monologue (Installation shot)
2019
2019
Rebecca Brantley and I co-curated an exhibition of print at the Mason-Scharfenstein Museum of Art at Piedmont College. The show, titled Monologue, brought together 5 artists who use print techniques to make singular works.
Pictured: Site-specific wall installation by Stacie Rose.
Pictured: Site-specific wall installation by Stacie Rose.
Monologue
2019
2019
Co-curators Rebecca Brantley and Brian Hitselberger discussing their vision the afternoon of the opening.
Monologue
Artists and curators of Monologue, from left to right: Mary Gordon, Ann Stewart, Jon Swindler, Jess Machacek, Brian Hitselberger, Rebecca Brantley, Stacie Rose. Pictured in front of a site-specific wall painting by Stacie Rose.
Charm
2017
Ceramic, found object, acrylic on canvas, dye on linen, live aloe, latex on wall.
10' x 10'
2017
Ceramic, found object, acrylic on canvas, dye on linen, live aloe, latex on wall.
10' x 10'
Created on site for the group exhibition Locus at the Mason-Scharfenstein Museum of Art.
Charm (detail)
2017
Ceramic, found object, acrylic on canvas, dye on linen, live aloe, latex on wall.
10' x 10'
2017
Ceramic, found object, acrylic on canvas, dye on linen, live aloe, latex on wall.
10' x 10'
Created on site for the group exhibition Locus at the Mason-Scharfenstein Museum of Art.
Charm (detail)
2017
Ceramic, found object, acrylic on canvas, dye on linen, live aloe, latex on wall.
10' x 10'
2017
Ceramic, found object, acrylic on canvas, dye on linen, live aloe, latex on wall.
10' x 10'
Created on site for the group exhibition Locus at the Mason-Scharfenstein Museum of Art.
Night Mind
2015
Oil paint on primed paper, cut tin and painted paper mounted with straight pins
100" x 114"
2015
Oil paint on primed paper, cut tin and painted paper mounted with straight pins
100" x 114"
Night Mind (detail)
2015
Oil on paper with cut aluminum, paper, straight pins
100" x 114"
2015
Oil on paper with cut aluminum, paper, straight pins
100" x 114"
Night Mind
2015
2015
Reinstalled for 2016 Exhibition @ Mason-Scharfenstein Museum of Art, Piedmont College, Demorest, GA.
Night Mind (detail)
2015
2015
Night Mind (detail)
2015
2015
Self-Portrait, In and Out of Sleep (cropped view)
2012
Relief and intaglio prints on kozo, graphite drawings on found surfaces
10' x 10' x 3"
2012
Relief and intaglio prints on kozo, graphite drawings on found surfaces
10' x 10' x 3"
Self-Portrait, In and Out of Sleep
2012
Relief and intaglio prints on kozo paper, graphite drawings on found book covers
10' x 10' x 3"
2012
Relief and intaglio prints on kozo paper, graphite drawings on found book covers
10' x 10' x 3"
Print installation created during a period of difficult sleeping.
Self-Portrait, In and Out of Sleep (Drawing 1)
2012
Graphite on found surface
8" x 10"
2012
Graphite on found surface
8" x 10"
One of two graphite drawings mounted on top of the collaged print "sky."
Self-Portrait, In and Out of Sleep (Drawing 2)
2012
Graphite on found surface
8" x 10"
2012
Graphite on found surface
8" x 10"
End of Silence
2010
Ink, dispersion on hand cut mylar
28' x 50'
2010
Ink, dispersion on hand cut mylar
28' x 50'
Installed in the atrium windows of the Lamar Dodd School of Art, University of Georgia.
End of Silence (detail)
2010
Ink, dispersion on hand cut mylar
28' x 50'
2010
Ink, dispersion on hand cut mylar
28' x 50'
Installed in the atrium windows of the Lamar Dodd School of Art, University of Georgia.
End of Silence (detail with viewer)
2010
Ink, dispersion on hand cut mylar
28' x 50'
2010
Ink, dispersion on hand cut mylar
28' x 50'
Installed in the atrium windows of the Lamar Dodd School of Art, University of Georgia.
psalm
2011
Double-sided screenprints on cardstock
5" x 26" x 10"
2011
Double-sided screenprints on cardstock
5" x 26" x 10"
Open edition of screenprints created in collaboration with my father. Recto contains screenprint of language written in my own handwriting, verso contains screenprint of same language written in his.
psalm (installation shot)
2011
Double-sided screenprints on paper
5" x 26" x 10"
2011
Double-sided screenprints on paper
5" x 26" x 10"
Open edition of screenprints created in collaboration with my father. Recto contains screenprint of language written in my own handwriting, verso contains screenprint of same language written in his.
psalm (verso)
2011
Double-sided screenprint on cardstock
5" x 26" x 10"
2011
Double-sided screenprint on cardstock
5" x 26" x 10"
Open edition of screenprints created in collaboration with my father. Recto contains screenprint of language written in my own handwriting, verso contains screenprint of same language written in his.
psalm (recto)
2011
Double-sided screenprint on cardstock
5" x 26" x 10"
2011
Double-sided screenprint on cardstock
5" x 26" x 10"
Open edition of screenprints created in collaboration with my father. Recto contains screenprint of language written in my own handwriting, verso contains screenprint of same language written in his.
